Photoshop Layer Styles: Comprehensive Guide

In this guide, I will be walking you through each individual layer effect and showing examples of each. Do keep in mind, however, that layer styles are about experimentation — some effects work perfectly in some designs, whereas they may look terrible in others. There are no set formulas, and it’s up to you to unleash your creativity once you have learned the fundamentals of using layer styles in Photoshop.

This is what we will discuss:

  1. What is a layer style?
  2. Applying layer styles
  3. The Layer Style dialog window
  4. Drop Shadow
  5. Inner Shadow
  6. Outer Glow
  7. Inner Glow
  8. Bevel and Emboss (Contour/Texture)
  9. Satin
  10. Color Overlay
  11. Gradient Overlay
  12. Pattern Overlay
  13. Stroke
  14. A few layer type tips

What is a Layer Style?

A layer style is simply one or more layer effects and blending options applied to a layer. Layer effects are things like drop shadows, stroke, and color overlays.

Here is an example of a layer with three layer effects (Drop Shadow, Inner Glow, and Stroke).

You can turn off a layer style by clicking on the eye icon beside Effects so that you can see how the original layer looks without its layer style.

Similarly, you can turn off the visibility of each layer effect. In the following example, the Drop Shadow layer effect was disabled.

You can tell that a layer has a layer style because of the fx icon on its right side.

Applying Layer Styles

To set up a layer style, you will use the Layer Style dialog window. There are various ways to access the Layer Style dialog window.

Right-Clicking on a Layer

By right-clicking on your layer, you can select Blending Options to open up the Layer Style dialog window.

Double-Clicking on a Layer

By double-clicking on your layer’s thumbnail preview in the Layers Panel, you can open up the Layer Style window.

Application Bar Menu

Like most things in Photoshop, you can access the Layer Style dialog window through the Application Bar menu by going to Layer > Layer Style. You can find each individual layer effect (Drop Shadow, Inner Shadow, etc.), as well as an option to open up the Layer Style dialog window (Blending Options).

Use Preset Layer Styles Using Styles Panel

The Styles Panel features preset layer styles such as "Sunspots" or "Tie-Dyed Silk". Just select a layer and click on the appropriate preset layer style to apply it.

You can view the Styles Panel by going to Window > Styles.

Styles Panel

The Layer Style Dialog Window

When you first open the Layer Style window, you will see the Blending Options. Here you can adjust the Blend Mode and layer Opacity, as well as some more advanced blending effects.

A layer style can have one or more different layer effects. To apply a layer effect, check the box beside it.

Be sure to enable the Preview option so that you can see your changes in real-time.

To quickly preview what your layer style looks like, there’s a thumbnail on the right side of the window to help remind you.

Let us go over each of the different layer effects, starting with the Drop Shadow layer effect.

Drop Shadow Layer Effect

The Drop Shadow is probably one of the most used layer effects.

The Blend Mode allows you to blend the shadow into the background in different ways (Multiply, Overlay, etc.).

Lower the Opacity to increase the shadow’s translucence.

The Angle option of your drop shadow will affect the direction it drops when the Distance is set to 1 pixel or higher. If the Distance is set to 0, the shadow will spread equally around the layer’s contents.

Spread allows you to make the shadow thicker/denser.

The Size is how big or small the drop shadow will be on each side of the object.

Changing the Quality set of options enables you to add noise to your shadow and alter the contours of your shadow.

Drop Shadow Example 1

In this particular image, the direction of the shadow won’t matter because I had set the Distance option to 0, meaning that the shadow is centered. This can be used to bring images out of the background, and works especially well on light backgrounds (such as white or light gray).

Drop Shadow Example 2

This next example uses similar settings, with a slightly lower Opacity, and increased Distance, Spread and Size. As you can see, the drop shadow steers off below the bottom right side corner, giving the impression that there is a source of light coming from the upper left corner.

Inner Shadow Layer Effect

The Inner Shadow effect is very similar to the Drop Shadow. In fact, it’s just the inverse in that it’s applied inside the object instead of the outside of it.

All of the options are the same as Drop Shadow. You may notice, however, that Spread has been replaced with Choke – the higher the Choke value, the thicker the shadow.

Inner Shadow Example 1

This example uses similar settings to the first example of the Drop Shadow layer effect so that you may compare and contrast. It makes the image appear as if it has been placed behind your background, like a window.

Inner Shadow Example 2

Inner Shadow can also be used to add a slight distressed, vintage effect to images by increasing the Noise option and using a big Size value. Using such a simple style, you can make your image appear to have weathered, darkened edges and corners.

Inner Shadow Example 3

This layer style shows a common text effect: the letterpress text effect. The settings are very similar to the first Inner Shadow example, however it has a Distance of 2 so that the Angle option produces an effect.

Outer Glow Layer Effect

Glows are very similar to shadows in concept. Outer glows are often used to create subtle effects when an outer edge of an object needs a bit of a boost to get it to stand out from its background. Outer glows usually work best on dark backgrounds.

Like shadows, you can adjust the Blend Mode, Opacity and Noise of your glow, as well as the Spread and Size of it.

An option you have with glows that isn’t available with shadows is the Technique option, which can either be Softer or Precise.

Softer gives the edge of your glow a softer and more subtle edge, whereas Precise makes your glow stronger and bolder.

The Range option of your glow allows you to change its thickness — the lower the number, the thicker. Setting this at 1%, for example, will actually make your glow look like a stroke rather than a glow.

Outer Glow Example

Here is a blue outer glow.

Inner Glow Layer Effect

Like the Drop Shadow versus Inner Shadow, the Inner Glow versus the Outer Glow is similar, they are just the inverse of each other.

All the options are the same as Outer Glow, with one additional option: Source. The Source allows you to make your glow appear from the Edge (default setting) or the Center.

Inner Glow Example 1

This is an example of the Edge glow, which works in the same way an Inner Shadow does.

Inner Glow Example 2

This is an example of the Center glow using the Overlay blend mode to make the inner area of the photo appear more vivid with an increased level of contrast.

Bevel and Emboss Layer Effect

The Bevel and Emboss gives an object a raised (Bevel) or depressed (Emboss) look. The effect has two sub-effects, Contour and Texture.

Contour allows you to make your bevel/emboss sharper or softer.

Texture gives you the option to add a pattern to your object.

There are a handful of different settings when it comes to using the Bevel and Emboss effect. The higher the Depth, the sharper the structure. The higher the Size, the more center your bevel/emboss will be. The Shading set of options allow you to increase the Opacity of both the highlights and the shading, and also allows you to change the Angle (the source of light).

Bevel and Emboss Example 1

This example shows an exaggerated effect; because the Depth is so high (1000%) and the Size and Soften settings are very low, our bevel is very prominent.

Bevel and Emboss Example 2

This is a very similar example as the one we just looked at, however, this time I have slightly decreased the bevel’s Depth and enabled the Contour effect. The Contour, as you can see, gives the bevel an even sharper edge; very close to a 1-pixel line. It also removes a lot of the highlights around the left and top edges of our photograph.

Bevel and Emboss Example 3

This example uses the exact same settings as the above example (including the Contour settings), however this time we have also checked our Texture effect. You can select one of Photoshop’s preexisting patterns, or install some of your own.

The sliders control the scale and depth of your pattern, and the Invert checkbox allows you choose between either embossed or beveled.

Satin Layer Effect

The Satin style, in my experience, is very rarely used. One use I have found for it in the past is for recreating vintage effects — although there are lots of different other ways to do that.

The Satin options are very simple, and similar to the others we have already looked at.

Satin Example 1

I have set the Color to red, the Distance to 72px and size to 0 to create the pattern on top of my image.

Satin Example 2

This example has near-identical settings as the one above; the only difference is that I increased the Size value. As you have probably noticed, increasing the Size option creates a blurred effect.

Color Overlay Layer Effect

Color Overlay is an incredibly simple layer style, allowing you to completely cover the layer’s contents with a color.

There are three settings: the Blend Mode, the Color, and the Opacity — they are pretty self-explanatory. This is a useful effect for quickly changing colors and is often used in web design variations, when alternative colors of things like text is desired.

Color Overlay Example 1

This is the default settings you will be given when applying the Color Overlay layer effect.

Color Overlay Example 2

One common use for the Color Overlay effect is to quickly apply colored tints to your images. To do this, you just need to select your color and lower your Opacity enough so that your image can show through (although this is probably better done with an adjustment layer for better control).

Color Overlay Example 3

When using solid black alongside the Overlay blend mode and an Opacity of 100%, you can completely eliminate some colors within your image. This could be useful for isolating subjects from their background.

Gradient Overlay Layer Effect

The Gradient Overlay does the exact same thing as a Color Overlay, apart from that it overlays your objects with a color gradient rather than a color.

The Style of the gradient can be Linear, Radial, Angle, Reflected or Diamond.

The Scale of the gradient makes it smaller or bigger with respect to the size of your layer objects.

There is also a Reverse option, which allows you to quickly reverse the orientation of your colors, saving you from having to recreate a new gradient.

Clicking on the Gradient option presents the Gradient Editor where you can set your gradient’s colors and type.

Gradient Overlay Example 1

Simple grayscale gradients such as the one below are often used alongside inner shadow styles like we used earlier to create an even more realistic letterpress effect. All the standard settings have been used; the only thing that has been changed from the default settings is the color of the gradient itself.

Gradient Overlay Example 2

This effect again uses all the default settings except the Style of the gradient has been set to Radial rather than the default setting (which is Linear).

Pattern Overlay Layer Effect

Like the other overlay effects, the Pattern Overlay works in almost the same way. This is actually very similar to the Texture setting we used under the Bevel and Emboss effect.

You can select from various built-in Photoshop patterns or create/install your own.

Pattern Overlay Example 1

This is the default setting for the Pattern Overlay style.

Pattern Overlay Example 2

By using the Scale option, you can increase or decrease the resolution of your pattern.

Pattern Overlay Example 3

Here is a custom pattern applied to the text. You can see that it tiles the pattern, producing a striped effect.

Stroke Layer Effect

This is the last layer effect we will talk about. The stroke effect simply places a border around your object.

The options are similar to the ones we’ve discussed earlier and are pretty self-explanatory (at least by now). The Position option, which indicates where you want the stroke to be made, can be Inner, Outer, or Center. The size of your stroke determines how thick it is — you can adjust this in pixel units. The default is 3px, but the most common is probably 1px.

The Fill Type allows you to fill your stroke with different elements; you can either choose from a solid color, a color gradient, or even a pattern. The default Fill Type is Color.

Stroke Example 1

These settings are the default settings, adding a simple and relatively thick stroke to anything on the layer you are applying it to.

Stroke Example 2

As can be seen in the image below, a much more subtle gradient-based stroke looks interesting. The gradient merges from a color slightly darker than the letter itself, into the exact same color as the letter, making it seem like the top of the letter doesn’t have stroke at all.

Layer Style Tips

Here are some basic tips for working with layer styles.


Layer styles are automatically applied to anything new you place on that layer. If you don’t want it to take on the same style, you need to place it on a new layer.

Copying, Pasting, and Removing Layer Styles

If you have a layer style with a bunch of effects applied that you’d like to use on another layer, you can right-click on the layer, choose Copy Layer Style, right-click on your new layer and then choose Paste Layer Style. This can save a lot of time!

To remove a layer style permanently, right-click on the layer and then choose Clear Layer Style. If you just want to toggle the visibility, click on the eye icon beside Effects (as discussed earlier in the guide).

Don’t Overuse Layer Styles

Not all layer styles look good, so don’t go over the top. Keep things looking relatively subtle to avoid making your work look amateurish. The layer style examples in this guide were done in an exaggerated fashion for the sake of illustrating each layer effect.


It’s all down to experimentation. There are endless ways to use layer effects; see what works and what doesn’t.

  • Nice comprehensive guide. Most importantly you added Don’t Overuse Layer Styles. Much like make up if you apply it well it should look like you’re not wearing any at all.

  • Much like make up if you apply it well it should look like you’re not wearing any at all.

    I like that analogy Nate!

  • nice guide Callum, great for people learning photoshop

  • Thanks everyone! 🙂

  • Not that I wear make up, but I thought it was a decent analogy. Thanks Jacob.

  • @Nate Balcom: But if you did, make sure it looks like you’re not wearing any at all! 🙂

  • I use layer styles a lot in my design. I just want to say that their default setting is so ugly, you always need to adjust it. After you familiar with their setting, you’ll find out that they worth more than their name. For example, Inner Glow can also be used to add bevel effect, smoother than Bevel and Emboss. Outer Glow can be used to add cast shadow to add realism of Drop Shadow. Stroke with gradient can be used to add subtle 3D effect.

    Many people don’t know that you can convert layer styles into separated layers. To do this, right click layer styles and choose Create Layer. This helps if you want to create a custom styles, like a shadow that appears only on one side of a curled page (I used it on my site design).

  • One thing you didn’t mention is using layer styles for custom shapes. For example, you can create really nice buttons using layer styles on rounded rectangles. They’re also great to use with wing-ding style fonts.

  • @Nate : Rightly said. It is best to try avoiding the layer styles as much as possible as they are not flexible and are discreet in its output. But if you can use it such that the effect is not prominent in your design, then its very good.

    Jeprie is right. You can individually break the layer effects and create new layers. Those layers just become clipping masks to the primary layer and you can edit it anyway you want. I utilize that option frequently.

    Also, I think you missed out a few important aspects of the layer styles. It is not just the effects that you can apply but also play with the lighting, shadows and Contours.

    If you check ‘Use Global lighting’ then, every style for that layer will use the same lighting source. On the contrary, if you uncheck it, you can meddle with the lighting source and shadows without disturbing the other layer effects. This is very useful while applying Bevel, Satin and Dropshadow effects.

    Also, you never talked about the Anti-aliasing filter (which makes the curves smoother and removes boxy pixels from the boundary of the layer effects). Anyways, this is not that important 🙂

    While using Layer styles, it is very important that you give attention to the smallest of the details because one slight error can leave a very bad impression on the image you are working on (it might lose its realism)

    Anyhow, that was indeed a comprehensive guide and a must read for every beginner in Photoshop. Thanks Callum

    Also, you said– “It’s up to you to unleash your creativity once you have learned the fundamentals of using layer styles in Photoshop.” Don’t you think that’s a bit of an overstatement 🙂 Just kidding….

  • This is a pretty good overview of what each setting does. There is MUCH more to be learned about Photoshop layer styles though. You can create very realistic and interesting things if you know the ins and outs of every single slider and check box.

  • Yes, you are quite right. There’s definitely more to layer styles than meets the eye. It’s definitely one of photoshop’s most powerful tools.

  • Great write-up, I have been only wondering if ya’ll got a facebook fan page for the site? I had been looking around although didn’t find it.

  • That’s the idea 🙂

  • Appreciate the write-up. Layer Styles are extremely powerful, and there are so many variables to them that it’s taken me a couple years to finally feel like I’ve mastered them. A couple thoughts:

    1. Many of the layer-style elements discussed in this guide would be more effectively explained if irregularly-shaped layers were used instead of full-size, rectangular layers. (e.g. Satin is understandably hard to appreciate when applying it to a rectangularly shaped layer. On curvaceous forms, it can be very powerful.

    2. Where the real power of layer styles rests is in the *combination* of various layer effects. This guide takes each effect one-by-one—which is important for beginners to be sure. That said, learning to combine various effects within a single layer style by using various combinations of blending modes for each effect—that’s where it’s at.

    3. Comments about the need to keep layer styles subtle are severely misguided. If you’re working on a subtle image, and want subtle effects—then sure, keep them subtle. If you’re working on an image of a giant robot clown with lasers shooting out of his eyes (sorry, that’s the best I could come up with!), then you’ll probably find a lot of use for bold, complex, over-the-top layer styles.

    When I learned about Layer Styles, I began approaching my work (graphic design, not photo-editing) in a whole new way. Now, I create most of my elements in Illustrator (as basic, black or white vector objects) and paste them in to Photoshop as Smart Objects. In PS, I can then add and edit layer styles to those elements. The great part is that this workflow is entirely non-destructive, except for a handful of raster elements in my PS documents. For the most part, I can even scale-up my designs if the need arises—without much need for re-editing. I can’t recommend this approach enough.


  • Frank

    Thanks for this simple guide to layer styles and blending modes it has helped me gain some more knowledge about them.

  • Zed Tremont

    A short and practicle guide, thank you Callum
    One thing I’ve been searching for is to get the effects disabled on the sides of the layer. For example when they are needed for seamless textures via a mask inside the effects. Up to now nothing of the style found.

    You can apply the layers and work around with offset though the beauty is partially gone. To make the layer bigger and cut the sides is not convenient with seamless textures.

    With styles you can create great and subtle effects if you take for example a alpha layer with corrosion elements play with the different effects and blend it in via the fill option (just under opacity) and opacity itself, can give you a great grungy effect.


  • Nice tut.. very usefull.

  • kamran

    very very comprehensive and useful for beginners. thanks Callum Chapman